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Works
2019
Any Anything Also Can
Broadsides
Client:
Sing Lit Station
Sing Lit Station
As part of Any Anything Also Can’s exhibition, the team at Qu’est-ce Que C’est Design was invited to interpret four poems: Language (2016) by Pooja Nansi, My Kristang Awakening (2017) by Martha Fernandez, Wittily Translating Malay by Hokkien Dialect (1932) by Khoo Seok Wan and An Anthology on Horse Racing (1893) by N V Rengasamy Dasan.
From a design point-of-view, besides attempting the capture the essence of each poem, we explored the limits of what a broadside as a format could be through three-dimensionality, smell, textures, depth and perspective as well as the use of light and space.
From a design point-of-view, besides attempting the capture the essence of each poem, we explored the limits of what a broadside as a format could be through three-dimensionality, smell, textures, depth and perspective as well as the use of light and space.
(Pooja Nansi—2016)
Language ︎
Language ︎
(Martha Fernandez—2017)
My Kristang Awakening ︎
My Kristang Awakening ︎
Peepholes give a view of
a Kristang person’s home ︎
a Kristang person’s home ︎
(Khoo Seok Wan—1932)
Wittily Translating Malay ︎
by Hokkien Dialect
Wittily Translating Malay ︎
by Hokkien Dialect
(N V Rengasamy Dasan—1893)
An Anthology on Horse Racing ︎
An Anthology on Horse Racing ︎
